The Project Gutenberg EBook of Political Application, by John Victor Peterson

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Political Application

Author: John Victor Peterson

Release Date: March 24, 2010 [EBook #31755]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK POLITICAL APPLICATION ***




Produced by Greg Weeks, Barbara Tozier and the Online
Distributed Proofreading Team at http://www.pgdp.net






This etext was produced from Fantastic Universe, September 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

 

John Victor Peterson lives in Jackson Heights, almost a stone’s throw from La Guardia Airfield. But he doesn’t just stand and watch the big planes roar past overhead. He has the kind of brilliant technical know-how which makes what goes on inside of a plane of paramount interest to him. He’s interested, too, in the future superduper gadgetry, as this hilarious yarn attests.

 

POLITICAL APPLICATION

by … John Victor Peterson

If matter transference really works—neanderthalers can pop up anywhere. And that’s very hard on politicians!

Some say scientists should keep their noses out of politics. Benson says it’s to prevent damage to their olfactory senses. Benson’s a physicist.

I’ve known Allan Benson for a long time. In fact I’ve bodyguarded him for years and think I understand him better than he does himself. And when he shook security at White Sands, my boss didn’t hesitate to tell me that knowing Benson as I do I certainly shouldn’t have let him skip off. Or crisp words to that effect.

The pressure was on. Benson was seeking a new fuel—or a way of compressing a known fuel—to carry a torchship to Mars. His loss could mean a delay of decades. We knew he’d been close, but not how close.

My nickname’s Monk. I’ve fought it, certainly, but what can you do when a well-wishing mother names you after a wealthy uncle and your birth certificate says Neander Thalberg? As early as high school some bright pundit noted the name’s similarity to that of a certain prehistoric man. Unfortunately the similarity is not in  name alone: I’m muscular, stooped, and, I must admit, not handsome hero model material.

Well, maybe the nickname’s justified, but still, Al Benson didn’t have to give the crowning insult. And yet, if he hadn’t, there probably wouldn’t be a torchship stern-ending on Mars just about now.

C. I. (Central Intelligence, that is) at the Sands figured Benson would head for New York. Which is why the boss sent me here. I registered in a hotel in the 50’s and, figuring that whatever Benson intended to do would have spectacular results, I kept the stereo on News.

Benson’s wife hadn’t yielded much info. Sure she described the clothes he was wearing and said he’d taken nothing else except an artist’s case. What was in that was anybody’s guess; his private lab is such a jumble nobody could tell what, if anything, was missing.

C. I. knew his political feelings. Seems he’d been talking wild about the upcoming presidential election and had sworn he’d nip the draft-Cadigan movement in the bud. Cadigan’s Mayor of New York City. He’s anti-space. In fact, Cadigan’s anti just about everything in science except intercontinental missiles. Strictly for defense, of course. Cadigan says.


A weathercaster was making rash promises on the stereo when the potray dinged. The potray? I certainly wasn’t expecting mail. Only C. I. knew where I was and they’d have closed-circuited me on visio if they wanted contact.

The potray dinged and there was a package in it.

Now matter transference I knew. It put mailmen out of business. There’s a potray in every domicile and you can put things in it, dial the destination and they come out there. They come out the same size and weight and in the same condition as they went in, provided they didn’t go in alive. Life loses, as many a shade of a hopeful guinea pig could relate.

So the potray dinged and here was this package. At first glance it looked like one of those cereal samples manufacturers have been everlastingly sending through since postal rates dropped after cost of the potrays had been amortized. But cereal samples don’t come through at midday; they’re night traffic stuff.

The package was light, its wrapping curiously smooth. There was an envelope attached with my correct name and potray number. Whoever had mailed it must be in C. I. or must know someone in C. I. who knew where I was.

The postmark was blurred but I could make out that it had been cast from Grand Central. Time didn’t matter. It couldn’t have been cast more than a microsecond earlier.

The envelope contained a card upon which was typed:

“Caution! Site on cylinder of 2  ft. radius and 6 ft. height. Unwrap at armslength.”

Now what? A practical joke? If so, it must be Benson’s work. He’s played plenty, from pumping hydrogen sulphide (that’s rotten egg gas, as you know) into the air-conditioning system at high school to calling a gynecologist to the launching stage at the Sands to sever an umbilical cord which he neglected to say was on a Viking rocket.

I followed the instructions. As I bent back the first fold of the strange wrapping it came alive, unfolding itself with incredible swiftness.

Something burst forth like a freed djinn—almost instantaneously lengthening, spreading—a thing with beetling brows, low, broad forehead, prognathous jaw, and a hunched, brutally muscular body, with a great club over its swollen shoulder.

I went precipitously backward over a coffee table.

It stabilized, a dead mockery, replica of a Neanderthal.

A placard hung on its chest. I read this:

“Even some of the early huntsmen weren’t successful. Abandon the chase, Monk. I’ve things to do and this—your blood brother, no doubt—couldn’t catch me any more than you can!”

Which positively infuriated me.

Do you blame me?

A few cussing, cussed minutes later I realized what Al Benson had apparently done: solved the torchship’s fuel problem.

Oh, I’d seen Klein bottles and Mobius strips and other things that twist in on themselves and into other dimensions, twisting into microcosms and macrocosms—into elsewhere, in any event. And here I had visual evidence that Benson had had something nearly six feet tall and certainly two feet in breadth enclosed in a nearly weightless carton less than eight inches on the side!

Sufficient fuel for a Marstrip? Just wrap it up!

The stereo’s audio was saying: “… from the Museum of Natural History. Curators are compiling a list of the missing exhibits which we will reveal to you on this channel as soon as it’s available. Now we switch to Dick Joy at City Hall with news of the latest exhibit found. Come in, Dick!”

On the steps of City Hall was a full size replica of a mastodon over whose massive back was draped a banner bearing the slogan: “The Universal Party is for you! Don’t return to prehistory with Cadigan! Re-elect President Ollie James and go to the stars!”

And there was a closeup of Mayor Cadigan standing pompous and wrathful—and looking very diminutive—behind the emblem of his opposition party.

Dick Joy was saying, “Eyewitnesses claim that this replica—obviously one of the items stolen from the Museum of Natural History—suddenly  materialized here. Immediately prior to the alleged materialization a man—whose photograph we show now—ostensibly bent down to tie a shoelace, setting a shoebox beside him. He left the box, walking off into the gathering crowd, and this mastodon seemed to spring into being where the shoebox had been.

“The mastodon replica has been examined. A report just handed me says it is definitely that from the Museum and that it could not conceivably have been contained in a shoebox. It’s obviously a case of mass hypnotism. The replica must have been trucked here. There’s no other possible explanation. Excuse me!”

Dick Joy turned away, then back.

“I have just been handed a notice that Mayor Cadigan wishes to say a few words and I hereby introduce him, His Honor the Mayor, Joseph F. Cadigan!”

His balding, fragmentarily curly-haired Honor glared.

“Friends,” he said chokingly, “whatever madman is responsible for this outrageous act will not go unpunished. I call upon the City’s Finest to track him down and bring him to justice.

“I am for justice, for equality and peace. I—”

His Honor was apparently determined to use all the time he could. Being a newscast, it was for free.

I killed the stereo. And the visio rang. It was Phil Pollini, the C. I. Chief.

“Monk,” he said, “guess you’ve seen the stereo. Al’s out to fix the Mayor’s wagon.”

“Say that again,” I said, having a brainstorm.

“Now, look—” he started.

“Maybe you’ve got something there, Chief,” I cut in. “Cadigan’s got the superduper of all wagons—a seven passenger luxury limousine with bulletproof glass, stereo, a bar, venetian blinds and heaven knows what else. Hot and cold running androids, maybe. He prowls the elevated highways with an ‘In Conference’ sign flashing over the windshield. So’s he can’t be wire-tapped or miked, I guess. It’d be a natch for Al Benson to go for.”

Pollini grinned.

“So if you were Benson what’d you do to fix the Mayor’s wagon?”

“Hitch it to a star,” I said, “and the closest spot to a star would be the observation platform of the Greater Empire State.”

“You’re probably right,” the Chief said. “Get going!”

I got.

Ten minutes later I walked out onto the observation platform on the 150th floor of the Greater Empire State Building—and found an incredulous crowd gathered around the mayor’s limousine. I felt good. I’d predicted.

I asked a guard, “How’d it get here?”

His eyebrows were threatening a back somersault.

“Don’t know,” he said. “I was looking over the side; then turned  around and here it was! You have any ideas?”

Which is when I spotted Al Benson.

I settled for shoving Benson toward the elevator, being careful since he had a box under each arm. We made the elevator and went down and it stopped on the 120th floor and the operator said, “Change here for all lower floors and the street—”

As we waited on the 120th for the down elevator, the P. A. system barked:

“Attention all building occupants. By order of the Mayor no one will be permitted to leave the building until further notice. Please remain where you are. We will try not to inconvenience you for any great time.”

There was no one close to us.

“Al,” I said, “look, stinker, you’ve had your fun but this is it. I don’t know what you’ve got in those boxes but you’ve got to turn them over—and yourself—to the next copper who shows. This is a civil matter, strictly local, and not C. I.”

Benson grinned. “Got to make a delivery first, Monk. Look, there’s a potray over there. Can I use it?”

His grin was infectious. “So what are you going to send where?” I asked as sternly as I could.

“The Mayor’s personal files,” he said. “I managed to carry them out of City Hall—once they’d been suitably wrapped, of course! I’m sending them to the Senate Investigation Committee. Don’t worry, Monk, His Honor won’t be President this or any year!”

I helped him dial the SIC number.

“What about the other package?” I asked him then.

“Insurance,” he said. “Come out on the setback.”

He placed the last package on the mosaic tile of the terrace, untied its string, flipped open the edge of the Benson wrapping and jumped back.

It was an NYC police helicopter.

We potrayed it back from the Sands. Suitably wrapped, of course.

That was a month ago. Most of it never came out in the papers. Nothing of Benson’s invention. C. I. thought it should be squelched, at least until Benson and the boys get back from Mars.

Which would be the end except for the packages. Yes, Benson left a gross of them with me and I’ve been mailing them one a day to the leaders of the opposition party. I don’t truly know what’s in them, of course. But it’s very curious that the day before the torchship left exactly one hundred and forty-four cylinders of hydrogen sulphide were missing from quartermaster stores. Coincidentally one of my C. I. friends tells me Benson had him rig up a gross of automatic releases for gas cylinders.

Adding it up, it could be a good lesson for politicians to keep their noses out of science.

 





End of Project Gutenberg's Political Application, by John Victor Peterson

*** END OF THIS PROJECT GUTENBERG EBOOK POLITICAL APPLICATION ***

***** This file should be named 31755-h.htm or 31755-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/1/7/5/31755/

Produced by Greg Weeks, Barbara Tozier and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.